The Norton Shakespeare (Third Edition) (Vol Four-volume Set) (Paperback) Greenblatt Review

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Jan 17, 2017 Shana rated it information technology was astonishing

The all-time Norton by far. The digital version enhances the concrete volume and provides any student or Shakespeare enthusiast the tools to delve further into Shakespeare's work and earth than whatsoever other edition. The best Norton by far. The digital version enhances the physical volume and provides any pupil or Shakespeare enthusiast the tools to delve further into Shakespeare'southward work and globe than any other edition. ...more

Sep 10, 2015 Matt rated it it was astonishing

more than shakespeare than y'all could possibly imagine.

Jan 07, 2020 Shaoroun rated information technology it was ok

I did it!! it only took about 2 years only I finished it! (granted not all of it but still considering it a win!)

October xxx, 2020 Steven Godby rated it it was amazing

I wanted to read Richard III to understand his evil graphic symbol. I take establish my answer. The appearance of various ghosts and Richard feeling dread demonstrated a guilty conscience. With guilt therein is redemption. Richard 3 had empathy. For Hitler, Stalin, and some other butchers of humanity did not develop empathy. Both Hitler and Stalin had harsh and cruel fathers. Dr. Josef Mengele, the Angel of Death in Auschwitz, operated on twins. In one case, he professorially delivered a Jewish child, I wanted to read Richard III to sympathise his evil graphic symbol. I take plant my answer. The advent of various ghosts and Richard feeling dread demonstrated a guilty censor. With guilt therein is redemption. Richard 3 had empathy. For Hitler, Stalin, and some other butchers of humanity did not develop empathy. Both Hitler and Stalin had harsh and brutal fathers. Dr. Josef Mengele, the Angel of Decease in Auschwitz, operated on twins. In one case, he professorially delivered a Jewish child, and as he left the room, he ordered the mother and the newborn child to exist immediately gassed. Dr. Mengele had a cruel female parent. His feelings were truncated, shelved, and buried. With callous disregard, a politician, I accept forgotten his proper noun, commented on the death of 200,000 people as "It is what it is" and remains silent on the separated children from their mothers. I have been told that his father was uncaring and harsh.

A secondary and important element is guilt and shame. The terms are not synonymous. We ordinarily think of guilt in a legal context, but information technology can be used in a religious context of guilt and salvation. The antonym of shame is honor. Award and shame are far older dichotomies than guilt and redemption/innocence. Honour creates fusion in a family unit, tribe, and community. In Homer's Iliad, honor is a primary virtue among the warriors. In Japan, to lose face results in suicides. Counter wise, guilt and conservancy are more individualistic and one of the many byproducts of Christianity. Individuals tin can be saved or dammed, only kingdom, empires, and nations cannot exist saved or dammed. They either thrive or expire. Later individualism replaced hierarchical and paternal communities with equal rights, popular sovereignty, and nations based upon laws. Today, many people display little shame on how they comport in public, whether talking, dressing, or posting on social media. Etiquette, politeness, and civility accept been gored and debauched with toxic individuality. How can we accept the dignity of man (humans) when we do not behave in an honorable manner?

The BBC House of Cards starring Ian Richardson is the closest parallel to Richard 3. Both are Machiavellian artists thirsting for power. They make bright strategic moves playing ane confront and then another face. Their deeds are dastardly but not genocidal. The audience can empathize their motivation. We can identify with the villain. As for the audience of Hitler, Stalin, and Dr. Mengele, nosotros cannot identify with mass killers. We cannot grasp their motivation to kill millions of people. They introduced anarchy equally mass death, destruction, and night. It was beyond the man pale. With Richard III, we have a morality play between good and evil. Chaos temporarily unbalanced the natural guild, only the Spindle of Necessity corrected the spinning scroll. Richard 3 is a didactic tale catastrophe with justice. Richard III'south redemption is our redemption. Long live Richard 3!

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I highly recommend this single volume compilation of the consummate works of Shakespeare. All of the plays, sonnets, and poems are neatly presented, making them less intimidating to a new reader of Shakespeare, and user-friendly in general. Of grade it's huge (about 3,500 pages), but it includes much in addition to Shakespeare's works. There are explanations of all archaic or ambiguous linguistic communication (words, phrases, references) which are neatly presented in the margins and footnotes. Annihilation and ever I highly recommend this unmarried volume compilation of the complete works of Shakespeare. All of the plays, sonnets, and poems are neatly presented, making them less intimidating to a new reader of Shakespeare, and user-friendly in general. Of class it's huge (about three,500 pages), but information technology includes much in improver to Shakespeare'due south works. In that location are explanations of all archaic or ambiguous language (words, phrases, references) which are neatly presented in the margins and footnotes. Anything and everything that could be "Greek" to the mod reader is explained. ("'If then you do not similar him... surely you are in some manifest danger non to understand him.'") This is all done aesthetically, allowing for gentle continuity of perusal; whether you choose to read them or not, they're not disruptive or annoying.
There is a lxx-four page full general introduction by the chief editor (ane of a team six professors), the scholar Stephen Greenblatt, which is engaging and highly educational. This is followed by a full general textual introduction; there's a preface and several intros in all. Additionally in that location are introductions, or analytical essays, that preface each play (or slice). These can be spoilers to the outset time reader, merely at times they provide a necessary heads-up explanation of what's to come, without which the "uninitiated" might be lost.
For convenience at that place'southward fifty-fifty three tables of contents: traditional (in order of appearance, which, as presented, is believed by scholars to be the chronological gild in which Shakespeare wrote them), by genre, and past publication appointment.
Nigh chiefly, all of Shakespeare'southward vivid work is all hither in one book. Accessory with its comprehensive educational content makes this volume invaluable. ...more

This edition is a must read for anyone with interest in the works of William Shakespeare. While on the pricy side the essay and annotated texts are well worth it even if ane isnt using it for academic work

It would take a very long time to read its over 3000 pages, just the 5 stars are deserved because of the useful culling words given in the margins to clarify archaic words; the succinct, useful footnotes and comments that analyze difficult phrases and idioms; the appealing font and layout; the very thorough introductions to each slice or group of pieces (e.1000. the sonnets); and that all of Shakespeare is compiled in such a pleasing way into one volume. The notes are not distracting both visual It would take a very long time to read its over 3000 pages, only the 5 stars are deserved considering of the useful alternative words given in the margins to clarify primitive words; the succinct, useful footnotes and comments that clarify difficult phrases and idioms; the appealing font and layout; the very thorough introductions to each slice or group of pieces (e.g. the sonnets); and that all of Shakespeare is compiled in such a pleasing way into one volume. The notes are not distracting both visually and in terms of their complexity; information technology is also a benefaction that they take upwardly very petty folio space, thereby avoiding unseemly pages that are half footnotes, half text. ...more

May 09, 2018 Amy rated information technology it was amazing

I loved this volume. The introductions before every play are fantastic and provide and so much background information and an analysis of the grapheme and themes in each story.
I enjoyed this edition a great bargain, especially because it comes with an online volume that has even more than great features like music, dramatic readings, etc.

Sep eighteen, 2015 Joti rated it really liked information technology

This review has been hidden because it contains spoilers. To view it, click here. I read a selection of about 12 plays and the sonnets for my Shakespeare form - i really enjoyed the plays - the comedies were peachy merely I loved some of the tragedies, specially Othello (IAGO IS JUST THE Best) & JC, Antony & Cleo.
Then there'due south expert onetime Titus, which I absolutely hate & crap like R&J

Anyway, perhaps I'll revisit some of the plays I oasis't read next year :)

I read a selection of well-nigh 12 plays and the sonnets for my Shakespeare class - i really enjoyed the plays - the comedies were smashing merely I loved some of the tragedies, peculiarly Othello (IAGO IS Merely THE Best) & JC, Antony & Cleo.
Then there's good sometime Titus, which I absolutely hate & crap like R&J

Anyway, peradventure I'll revisit some of the plays I haven't read adjacent year :)

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Although not identified every bit such in the Goodreads description, this is volume one of two volumes. It is one of the best editions of Shakespeare and is supplemented by a Digital Edition (the paperback provides a registration lawmaking for same).

Non completed. But read eight plays from this tome throughout the last six months.

Plays read:
Taming of the Shrew
A Midsummer Nighttime's Dream
Twelfth Night
Merchant of Venice
Tempest
Henry V
Hamlet
Julius Caesar

Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of English and American Literature and Language at Harvard Academy. Too Full general Editor of The Norton Anthology of English Literature, 8th Edition, he is the author of nine books, including Volition in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Practicing New Historicism; Marvelous Possessions: The Wonder of t Stephen Greenblatt (Ph.D. Yale) is Cogan Academy Professor of English and American Literature and Language at Harvard University. Likewise General Editor of The Norton Anthology of English language Literature, Eighth Edition, he is the author of 9 books, including Volition in the World: How Shakespeare Became Shakespeare; Village in Purgatory; Practicing New Historicism; Marvelous Possessions: The Wonder of the New Globe; Learning to Curse: Essays in Early on Modern Culture; and The Swerve: How the World Became Modern. He has edited six collections of criticism, is the co-author (with Charles Mee) of a play, Cardenio, and is a founding coeditor of the journal Representations. He honors include the MLA's James Russell Lowell Prize, for Shakespearean Negotiations: The Circulation of Social Free energy in Renaissance England, the Distinguished Humanist Award from the Mellon Foundation, the Distinguished Education Award from the University of California, Berkeley. He is a fellow of the American Academy of Arts and Sciences and the American Philosophical Society. He lives in Cambridge, Massachusetts, and in Vermont.

Stephen Jay Greenblatt is a Pulitzer Prize winning American literary critic, theorist and scholar.

Greenblatt is regarded by many every bit one of the founders of New Historicism, a fix of critical practices that he often refers to as "cultural poetics"; his works accept been influential since the early 1980s when he introduced the term. Greenblatt has written and edited numerous books and articles relevant to new historicism, the study of culture, Renaissance studies and Shakespeare studies and is considered to be an expert in these fields. He is as well co-founder of the literary-cultural journal Representations, which often publishes articles by new historicists. His most popular work is Will in the World, a biography of Shakespeare that was on the New York Times All-time Seller List for nine weeks.

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